What Do You Know About the History of the Automobile

The automobile as we know it was not invented in a single day by a single inventor. The history of the automobile reflects an evolution that took place worldwide involving many different innovators. Automobile Defined An automobile or car is a wheeled vehicle that carries its own motor and transports passengers. It is estimated that over 100,000 patents led to the evolution of  the modern automobile. Which Was the First Car? There are disagreements as to which automobile was the first actual car. Some claim it was invented in  1769 with the first self-propelled steam-powered military tractor invented by French engineer Nicolas Joseph Cugnot. Others claim it was  Gottlieb Daimlers vehicle in 1885 or Karl Benzs in 1886 when he patented the first gas-powered vehicles. And, depending on your viewpoint, there are others who believe Henry Ford  invented the first true car due to his perfection of the mass production assembly line and the car transmission mechanism that cars today are modeled from. Abbreviated Timeline of the Automobile Dating back to the Renaissance of the 15th century, Leonardo DaVinci  had drafted theoretical plans for the first automobile, as had Sir Isaac Newton a couple of centuries later. Fast forward 40 years after Newtons death to the moment when French engineer Cugnot unveiled the first steam-powered vehicle. And, almost a century after that,  the  first gas-powered car  and  electric vehicles  made their appearance. The introduction of the  mass production assembly line  was a major innovation that revolutionized the automobile industry. Although Ford was credited with  the  assembly line  process, there were others who came before him. Following the introduction of cars came the need for the  complex system of roads  to drive upon. In the U.S., the first agency tasked with managing road development was the Office of Road Inquiry within the Department of Agriculture, established in 1893. Components of the Car There were many inventions that needed to come together to make the modern day cars we know today. From airbags to windshield wipers, here is a review of some of the components and the dates of discovery to give you a comprehensive look at how exhaustive end-to-end development can be. Component Description Airbags Airbags are a safety feature in cars for the protection of vehicle occupants in the event of a collision. The first recorded patent in the U.S. was in 1951. Air Conditioning The first car with a cooling system for vehicle occupants was the 1940 model year Packard. Bendix Starter In 1910, Vincent Bendix patented the Bendix drive for electric starters, an improvement to the hand-cranked starters of the time. Brakes In 1901, British inventor Frederick William Lanchester patented disc brakes. Car Radio In 1929, American Paul Galvin, the head of Galvin Manufacturing Corporation, invented the first car radio. The first car radios were not available from car makers and consumers had to purchase the radios separately. Galvin coined the name Motorola for the companys new products combining the idea of motion and radio. Crash Test Dummies The first crash test dummy was Sierra Sam created in 1949. Crash test dummies were used in place of humans in simulated auto crashes to test the road safety of automobiles created for mass use. Cruise Control Ralph Teetor, a prolific (and blind) inventor, invented cruise control in 1945 to set a steady speed for a car on the road. Differential Differentials are designed to drive a pair of wheels while allowing them to rotate at different speeds. This invention revolutionized carriage steering in 1810. Driveshaft In 1898, Louis Renault invented the first driveshaft. A driveshaft is a mechanical component for transmitting force and rotation, which connects other components of the drive train, which powers the wheels. Electric Windows Daimler introduced electric windows in cars in 1948. Fender In 1901, Frederick Simms invented the first car fender, which was designed similar to the railway engine buffers of the period. Fuel Injection The first electronic fuel injection system for cars was invented in 1966 in Britain. Gasoline Gasoline, initially a byproduct of kerosene, was discovered to be great fuel for all the new cars that began rolling off the assembly lines. By the early 20th century, the oil companies were producing gasoline as a simple distillate from petroleum. Heater Canadian Thomas Ahearn invented the first electric car heater in 1890. Ignition Charles Kettering was the inventor of the first electrical starter motor ignition system. Internal Combustion Engine An internal combustion engine is an engine that uses the explosive combustion of fuel to push a piston within a cylinder. In 1876, Nikolaus August Otto invented and later patented a successful four-stroke engine, known as the Otto cycle. License Plates The very first license plates were called number plates and were first issued in 1893 in France by the police. In 1901, the state of New York became the first state to require car license plates by law. Spark Plugs Oliver Lodge invented the electric spark plug ignition (the Lodge Igniter) to light the explosive combustion of fuel in the cars engine. Muffler French inventor Eugene Houdry invented the catalytic muffler in 1950. Odometer An odometer records the distance that a vehicle travels. The earliest odometers date back to ancient Rome in 15 BC. However, the modern-day odometer for a carriage that was used to measure mileage was invented in 1854. Seat Belts The first U.S. patent for automobile seat belts was issued to Edward J. Claghorn of New York on February 10, 1885. Supercharger Ferdinand Porsche invented the first supercharged Mercedes-Benz SS SSK sports cars in Stuttgart, Germany in 1923, which gave the combustion engine more power. Third Brake Light In 1974, psychologist John Voevodsky invented the third brake light, a light that is mounted in the base of rear windshields. When drivers press their brakes, a triangle of light will warn following drivers to slow down. Tires Charles Goodyear invented vulcanized rubber that was later used for the first tires. Transmission In 1832, W. H. James invented a rudimentary three-speed transmission. Panhard and Levassor are credited with the invention of the modern transmission installed in their 1895 Panhard. In 1908, Leonard Dyer obtained one of the earliest patents for an automobile transmission. Turn Signals Buick introduced the first electric turn signals in 1938. Power Steering Francis W. Davis invented power steering. In the 1920s, Davis was the chief engineer of the truck division of the Pierce Arrow Motor Car Company and he saw first hand how hard it was to steer heavy vehicles. He developed a hydraulic power steering system that led to power steering. Power steering became commercially available by 1951. Windshield Wipers Prior to the manufacture of Henry Fords Model A, Mary Anderson was granted her first patent for a window cleaning device, later known as windshield wipers, in November 1903.

Marketing Plan For Pomegranate Kitchens - 1696 Words

4. Market-Product focus 4.1 Market and product objectives Pomegranate kitchens currently consists of corporate consumers mostly and a sizeable general market that is gained from online campaigns and WOM. This is a great niche; bit in order to expand the revenue and consumer base, the business should reach out to consumers outside of these locations. This will be executed with their new targeted marketing tactic and launch of new innovative/unique product. Pomegranate Kitchen aims to be sustainable in the next few years and with this positioning tactic, it seems very doable if Pomegranate Kitchens are targeting the markets with appropriate plans. 4.2 Target Market Individual Lunch Delivery The target market for individual lunch delivery†¦show more content†¦Feels concerned about the refugee crisis, but feels powerless to help These consumer needs will lead the business to change the regular lunch provider to Pomegranate Kitchen due to our Unique Value Proposition - healthy, delicious food, delivered to the workplace, with a social conscience. In office catering The target market for in-office catering is corporate partners who want to increase the philanthropic works in their business. These businesses will have a ‘triple bottom line’ or an imperative to incorporate some ethical aspects into their day-to-day business. Targeting Managers and above with this prospect means, direct office Executive Assistants and Administrative workers to use Pomegranate Kitchens services. The Business also wishes to target government agencies, of which there are many in Wellington, using the methods above. In particular, government agencies who are involved with immigration and refugee resettlement will be targeted, such as the Department of Internal Affairs (including Office of Ethnic Affairs); The Ministry of Business, Innovation and Employment (including Immigration New Zealand); and the Ministry for Foreign Affairs and Trade. Markets for future growth One market for anticipated future growth is packaged ingredients or goods that are connected to our menus, such as spice rubs or condiments for people to use at home. The target market for this is the customers of artisanal gourmet grocery establishments like Moore Wilson’s. TheseShow MoreRelatedMarketing Plan For Pomegranate Kitchen1867 Words   |  8 Pages#0.1 Executive Summary This report will be laying out a comprehensive marketing plan for Pomegranate Kitchen’. The business in brief is a delivery and catering service kitchen that delivers freshly cooked hot food from its production kitchen in wellington to door at low and affordable prices in and around wellington CBD. The company is a social enterprise that employs refugees and empowers them to integrate them into the local community and to create awareness. 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The Company has been able to build on its leadership position because of its single minded focus on value creation for the consumer through significant investments in product design, innovation, manufacturing technology, quality, marketing and distribution. All initiatives are therefore worked upon with the intent to fortify market standing in the long term. This in turns aids in designing products which are contemporary and relevant to the changing attitudes and evolving socio economicRead MoreThe Marketing Strategy Of Dick And Mac Mcdonald5697 Words   |  23 Pagesgood in customer service as well. So these things proves that McDonalds is doing well and will do well in future too if they will be working in a same manner. Task 1 Marketing – Every Organisation in this world needs to do marketing for their business because marketing plays a vital role in every organisation. 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Franchised restaurants also paid a royalty, adding a 3% to 6% cost line, and a marketing fee which added a further 2% to 10% in costs. Depending on the size of the franchise organization, overhead might account for another 5% to 15% of cost. 1 â€Å"Freedonia Focus on Restaurants,† Freedonia Group. February 2011. 2 http://www.bakertillyRead MoreFiji Water Case Study13053 Words   |  53 PagesResnik.9 Following this acquisition, FIJI Water’s corporate headquarters was moved to Los Angeles. While the Fiji Islands-based operation focused on mineral water extraction, bottling and transportation within Fiji, the corporate headquarters handled marketing and logistics functions worldwide. The new owner expanded the Fiji plant’s production capacity by adding a new (third) bottling line in 2006. 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13. Were The Elizabethans More Bloodthirsty Or Tolerant Of Essay Example For Students

13. Were The Elizabethans More Bloodthirsty Or Tolerant Of Essay violence on stage than we are? In addition to the visible bloodletting, there is endless discussion of past gory deeds. Offstageviolence is even brought into view in the form of a severed head. Itsalmost as though such over-exposure is designed to make it ordinary. At the same time, consider the basic topic of the play, the usurpationof the crown of England and its consequences. These are dramaticevents. They can support the highly charged atmosphere of bloodyactions on stage as well as off. By witnessing Clarences murder,which has been carefully set up, we develop a greater revulsion forits instigator. And even though we are spared the sight of the slayingof the young princes in the Tower, Richards involvement before andafter is carefully exploited. Every drop of blood referred to on stageor in the speeches helps build the effect Shakespeare wishes to achieve. The peace which comes after Richards death is both a relief and a reward. 14. The Elizabethan audience knew from the start t hat Richmond was to become Henry VII, the first Tudor king of England and thegrandfather of their own queen, Elizabeth I. As such, he had only to appear victorious at the plays conclusion. By the time he shows up, matters have progressed to a point where Richards downfall is inevitable. But what good would victory be if the opposition hadmerely caved in? Shakespeare had to build Richmonds importance notonly to satisfy history but to fulfill the dramatic development of theplot. By sprinkling his name into the preceding scenes, Shakespearemakes Richmonds arrival a matter of importance. Once Richmond appears on stage, he never makes a false step or says the wrong thing. Ifhis dialogue sounds slightly flat, it may be a deliberate contrastto that of the fiery, passionate Richard. Here is a man of reasonwho makes his mark with heroic action rather than words. In the duel scene, Richmond has an opportunity to achieve the stature denied him in speech.TEST 2 1. B2. A3. B4. A5. B6. B7. C8. A9 . C10. B11. From the start, Buckingham is only too willing to provide hissupport for Richards schemes. He immediately allies himself withRichard by scorning his exemption from Margarets curse. From then on,he willingly shares the risk for his share of the spoils. Remember,patronage is an important issue. During Edward IVs reign, QueenElizabeth saw to it that her relatives and supporters were takencare of. Buckingham saw Richard as his key to prosperity. Hisinsistence on his reward in the face of his hesitation to participate in the killing of the princes leads to his loss of Richards trust- and to his final destiny.12. The actor playing the role of Richard must have great strength to endure the demands of being on stage in so many differentsituations and for such a long time. But what of the character Richard? Could he have been the successful warrior he is credited withbeing in the past if he were seriously crippled? Could he have performed the physical demands required by the batt le in the finalscenes? If he is unhorsed, surely he is capable of riding. Andwhat about his rapid, sudden turns throughout the play? Review thephysical action that must accompany so much of his dialogue and see ifyou think his deformity was as much a handicap as a convenient excuse.The judgment of Hastings is one place where he certainly exploitsit, but see if you can find others.13. From the beginning, Richard develops an intimate associationwith the audience as he shares his innermost thoughts. Couched as asort of confessional, he confides that he is going to behave wickedly. As such, he virtually invites the audience to come alongwith him as he proceeds with his business. Periodically, he reviewsand recaptures that spirit. Margaret, on the other hand, treats theaudience as more of a witness than a partner. She speaks less insoliloquies than in choral recitations. Because so much ofMargarets presence is a symbolic as well as an actual reminder ofpast events, she is less involved i n the action. Her power restsmainly in her ability to witness the past and predict the future.Those on stage may choose to ignore her, but those out front cannot. 14. Stanley walks a narrow line throughout the play. Although aneasy answer might be that he never actually did anything to opposeRichard, wasnt his act of withholding support just as harmful? This is how Richard saw things when he ordered George Stanley to be beheaded. But can you accept Richards judgment? Stanley, more thanany other, represents the middle road, or at least a firm commitment to neutrality. Some may find his professed loyalty to Richard andsecret meeting with Richmond enough to condemn him as a traitor.Others may find him the victim of a conscience that allows him to makeno open choice. Remember the Stanley who dreamed of impendingdisaster? Contrast him with the hasty, naive Hastings.TERM PAPER IDEAS AND OTHER TOPICS FOR WRITING1. Richard III has been called Shakespeares first fullydeveloped character in t hat we see many sides of his personality. Do any other characters in this play show more than one side? If so, who?And how? 2. What part do children play in Richard III? Are they believable? 3. How important are clergymen, the archbishops, bishops, andpriests in Richard III? Are they different from other members of the court? Discuss. 4. Discuss the role of Buckingham. Is he better or worse, wiseror more foolish than Richards other victims? 5. Revenge and the quest for justice dominate the action in RichardIII. Discuss individual examples and their relevance to this majortheme.6. Discuss the attitude toward adultery in Richard III.7. How successful is the use of stychomythia, the short staccatodialogue used frequently by Richard and others? What effect does itcreate in the courtship scenes?8. Animal imagery is used repeatedly. What dramatic function does it fulfill?9. Discuss the importance of the scenes involving common peoplesuch as murderers, the scrivener, and the pursuivant?10. Richard is a brother, a husband, an uncle, and a son tovarious characters in the play. Analyze his behavior in each case.11. We often hear the lamentations of mothers in Richard III, butthere are fathers in the play too. Discuss their relationships totheir children. 12. One objective of Richard III is to conclude the events set inmotion by the first usurpation, the overthrow of Richard II. Do youfeel this play explains and wraps it all up successfully? 13. Compare your own knowledge of the historic Richard withShakespeares Richard. What obvious changes in history did Shakespearemake? Why did he do so?14. Corrupt governments can be found in all historical periods.Compare the corrupt administration of either Richard III or EdwardIV with a 20th-century example.15. Although political executions take place throughout Richard III,there is some concern for due process. Cite various examples anddiscuss their significance to the play as a whole. THE CRITICSON RICHARDS CHARACTERIf Richard is something like the Renaissance will incarnate, he is equally, in his total, eager submission to it, evil incarnate. Whatever his lusty attractiveness, we cannot deny that he treats all men, even himself finally, as mere objects. Too late he discovers,to his amazement and confusion, that he too has feelings, issubjective and subjected, in more than will and conscious self-control. Herein lies his repulsiveness. His is a Dionysianismso passionately self-serving, so deliberate if not cold-blooded, that,corrosive rather than life-giving like the Dionysian at its best, it turns all not only to destruction but to cheapness, ignominy,pointlessness. -Theodore Weiss, The Breath of Clowns and Kings, 1974 The great stories of murder are about men who could not have done itbut who did. They are not murderers, they are men. And their stories will be better still when they are excellent men; not merely brilliantand admirable, but also, in portions of themselves which we inferrather than see. Ri chard is never quite human enough. The spectacleover which he presides with his bent back and his forked tongue cantake us by storm, and it does. It cannot move our innermost minds withthe conviction that in such a heros death the world has lost whatonce had been or might have been the most precious part of itself.Richard is never precious as a man. He is only stunning in his craft, a serpent whose movements we follow for their own sake, because in themselves they have strength and beauty. -Mark Van Doren, Shakespeare, 1939 ON RICHMONDS FUNCTIONThe astonishing thing about this play is that until almost theend, there is no sign of a possible antagonist, no visible secularforce that can bring the tyrant down. Richmond is not even mentioned until Act IV, and appears in only the last three scenes. He is little more than a deus ex machina let down from above to provide aresolution both for the immediate action of this play and for thelong-continued drama of conflict between York and Lanc aster. -George J. Becker, Shakespeares Histories, 1977 RICHARD III AS TRAGEDYThus Shakespeare pictured the dominating sins in the play as perjuryand murder, sins against the moral order. He portrayed and analyzedthe passion of ambition that caused Richard to sin and the passionof fear that at the same time punished him for his sins and forced himto wade still further in blood. He inserted non-historical scenesdeveloping the Elizabethan philosophy of revenge. He used thesupernatural to enhance the horror of the play and to contribute tothe impression of a divine vengeance meting out punishment for sin. Heshowed Gods revenge exacted through the agency of the evil Richard, who was nevertheless to be held to account for his evil-doing. He madeuse of the pathos of the death of the royal children. These are thecommon methods of Shakespearean tragedy, and they justify those whohold Richard III to be a tragedy. -Lily B. Campbell, Shakespeares Histories: Mirrors of Elizabethan Policy, 1968. COMEDY IN RICHARD IIIRichards sense of humor, his function as clown, his comicirreverences and sarcastic or sardonic appropriations of things to (atany rate) his occasions: all those act as underminers of our assumed naive and proper Tudor principles; and we are on his side much rather because he makes us (as the Second Murderer put it) take the devil in mind, than for any historical-philosophical-Christian-retributional sort of motive.In this respect a good third of the play is a kind of grisly comedy; in which we meet the fools to be taken in on Richards terms, see themwith his mind, and rejoice with him in their stultification (in which execution is the ultimate and unanswerable practical joke, the absolutely final laugh this side of the Day of Judgment). -A. P. Rossiter, Angel With Horns: The Unity of Richard III, in Shakespeare, The Histories, ed. Eugene M. Waith, 1965 ADVISORY BOARDWe wish to thank the following educators who helped us focus ourBook Notes series to meet stu dent needs and critiqued our manuscripts to provide quality materials.Sandra Dunn, English TeacherHempstead High School, Hempstead, New York Lawrence J. Epstein, Associate Professor of EnglishSuffolk County Community College, Selden, New YorkLeonard Gardner, Lecturer, English DepartmentState University of New York at Stony Brook Beverly A. Haley, Member, Advisory CommitteeNational Council of Teachers of English Student Guide Series Fort Morgan, ColoradoElaine C. Johnson, English TeacherTamalpais Union High School District Mill Valley, CaliforniaMarvin J. LaHood, Professor of EnglishState University of New York College at BuffaloRobert Lecker, Associate Professor of EnglishMcGill University, Montreal, Quebec, Canada David E. Manly, Professor of Educational Studies State University of New York College at GeneseoBruce Miller, Associate Professor of EducationState University of New York at BuffaloFrank OHare, Professor of English and Director of WritingOhio State University, Columbus, O hio Faith Z. Schullstrom, Member, Executive Committee National Council of Teachers of EnglishDirector of Curriculum and InstructionGuilderland Central School District, New YorkMattie C. Williams, Director, Bureau of Language ArtsChicago Public Schools, Chicago, Illinois BIBLIOGRAPHY FURTHER READINGHISTORICAL BACKGROUND Fraser, Antonia, ed. The Lives of the Kings and Queens of England. London: Weidenfeld and Nicolson, 1980. Covers the reigns of HenryVI, Edward IV, and Richard III.Saccio, Peter. Shakespeares English Kings. New York: Oxford University Press, 1977.Seward, Desmond. Richard III, Englands Black Legend. New York:Franklin Watts, 1984. A strong argument for the traditional view ofRichard as the evil murderer and usurper. CRITICAL WORKSBecker, George J. Shakespeares Histories. New York: Unger, 1977.A review of the ten history plays and their common themes.Blankpied, John W. Time and the Artist in Shakespeares Early Histories. Newark: University of Delaware Press, 1983.Campbel l, Lily B. Shakespeares Histories: Mirrors of Elizabethan Policy. San Marino, California: The Huntington Library,1968. Detailed review of topical themes.Rossiter, A. P. Angel With Horns: The Unity of Richard III, inShakespeare, The Histories, ed. Eugene M. Waith. Englewood Cliffs, NewJersey: Prentice-Hall, 1965.Tillyard, E. M. W. Shakespeares History Plays. London: Chatto ;Windus, 1964. A study of the underlying principles found inShakespeares history plays with emphasis on their origins.Weiss, Theodore. The Breath of Clowns and Kings. New York: Atheneum,1974. The use of language in Shakespeares early comedies andhistory plays. Van Doren, Mark. Shakespeare. New York: Henry Holt, 1939. AUTHORS WORKSShakespeare wrote 37 plays (38 if you include The Two Noble Kinsmen)over a 20-year period, from about 1590 to 1610. Its difficult todetermine the exact dates when many were written, but scholars havemade the following intelligent guesses about his plays and poems:PLAYS1588-93The Comedy of Errors 1588-94Loves Labours Lost 1590-912 Henry VI1590-913 Henry VI1591-921 Henry VI1592-93Richard III1592-94Titus Andronicus1593-94The Taming of the Shrew1593-95The Two Gentlemen of Verona 1594-96Romeo and Juliet1595 Richard II1594-96A Midsummer Nights Dream1596-97King John 1596-97The Merchant of Venice1597 1 Henry IV1597-982 Henry IV1598-1600 Much Ado About Nothing1598-99Henry V1599 Julius Caesar1599-1600 As You Like It 1599-1600 Twelfth Night1600-01Hamlet1597-1601 The Merry Wives of Windsor 1601-02Troilus and Cressida 1602-04Alls Well That Ends Well1603-04Othello1604 Measure for Measure1605-06King Lear 1605-06Macbeth1606-07Antony and Cleopatra 1605-08Timon of Athens 1607-09Coriolanus1608-09Pericles 1609-10Cymbeline 1610-11The Winters Tale1611-12The Tempest1612-13Henry VIII Gun Control in the US Essay

The Lady or the Tiger free essay sample

The Lady or the Tiger The Lady or the Tiger proposes one question: Which? Author Frank Stockton writes about a barbaric game Invented by the King. If any man In the kingdom rubs the King the wrong way, he gets put Into a stadium In front of two doors. Behind one Is a tiger, the other a lady. If the man picks a door and a lady comes out, he gets to marry her. But if a tiger comes out of the door, he dies a violent death.Hundreds of people look on with pleasure as he picks death or life. In this certain story, a peasant and the Princess fall in love and the King is not pleased. Right away the peasant is thrown into the stadium and with one last desperate hope for life, he looks to the Princess. Seated next to the King, she makes a slight movement with her right hand. We will write a custom essay sample on The Lady or the Tiger or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Now comes the question. Which came out of the door?You can tell that the Princess is a very Jealous person. She knew the young maiden behind the door, and had often seen her staring at the peasant with looks of admiration. It also says, in the story own words, that the Princess, With all the Intensity of the savage blood transmitted o her through long lines of wholly barbaric ancestors, hated the woman who blushed and trembled behind that silent door. And we know that she dreamed about what it would be like if the peasant opened the door and out came the maiden. How in her grievous reveries had she gnashed her teeth, and torn her hair, when she saw his start of rapturous delight as he opened the door of the lady! How her soul had burned in agony when she had seen him rush to meet that woman. If her hatred for this woman and for the idea of them together was this great, why would she not lead the peasant to the tiger?

Free Essays on Obsessions Of A Pedophile

The relationship between Humbert Humbert and Lolita, is highly undefined. Many readers who have read Lolita find it to be based on â€Å"lust†, while others find Humbert to truly be in â€Å"love† with his Lolita. However, there is evidence that Humbert’s desire for Lolita is based on some obsessive-compulsive behavior which he cannot control, and therefore keeps returning for her. Humbert’s obsessions can be clearly recognized in his behaviors when looked upon in H. R. Beech’s Obsessional States and Andrew Brink’s Obsession and Culture: A Study of Sexual Obsession in Modern Fiction’s perception of what obsession is. Humbert’s obsessional tendencies are displayed in many passages through his descriptive word choices and his over bearing personality, such as when he describes Lolita after returning from camp to be, â€Å"†¦all rose and honey, ressed in her brightest gingham, with a pattern of little red apples,†¦wi th scratches like tiny dotted lines of coagulated rubies, and the ribbed cuffs of her white socks were turned down.† Obsession can be a difficult subject because there is not a finite definition of what obsession really is. Who determines what obsession is? When does deep admiration pass and obsession begin? According to S. Jack Rachman â€Å"an obsession is an intrusive, repetitive thought, image, or impulse that is unacceptable or unwanted and gives rise to subjective resistance† (2). Furthermore, Andrew Brink states that â€Å"†¦the popular meaning of the term obsession, including the new verb ‘to obsess,’ which means to be persistently preoccupied about something, usually in an unsatisfactory relationship† (195). These similar definitions are important when looking at Humbert’s actions because his actions are perceived by these qualities. First, Brink argues that most people have an obsessional defense, and this defense is brought out of men due to their fear of women. More specifically, this d... Free Essays on Obsessions Of A Pedophile Free Essays on Obsessions Of A Pedophile The relationship between Humbert Humbert and Lolita, is highly undefined. Many readers who have read Lolita find it to be based on â€Å"lust†, while others find Humbert to truly be in â€Å"love† with his Lolita. However, there is evidence that Humbert’s desire for Lolita is based on some obsessive-compulsive behavior which he cannot control, and therefore keeps returning for her. Humbert’s obsessions can be clearly recognized in his behaviors when looked upon in H. R. Beech’s Obsessional States and Andrew Brink’s Obsession and Culture: A Study of Sexual Obsession in Modern Fiction’s perception of what obsession is. Humbert’s obsessional tendencies are displayed in many passages through his descriptive word choices and his over bearing personality, such as when he describes Lolita after returning from camp to be, â€Å"†¦all rose and honey, ressed in her brightest gingham, with a pattern of little red apples,†¦wi th scratches like tiny dotted lines of coagulated rubies, and the ribbed cuffs of her white socks were turned down.† Obsession can be a difficult subject because there is not a finite definition of what obsession really is. Who determines what obsession is? When does deep admiration pass and obsession begin? According to S. Jack Rachman â€Å"an obsession is an intrusive, repetitive thought, image, or impulse that is unacceptable or unwanted and gives rise to subjective resistance† (2). Furthermore, Andrew Brink states that â€Å"†¦the popular meaning of the term obsession, including the new verb ‘to obsess,’ which means to be persistently preoccupied about something, usually in an unsatisfactory relationship† (195). These similar definitions are important when looking at Humbert’s actions because his actions are perceived by these qualities. First, Brink argues that most people have an obsessional defense, and this defense is brought out of men due to their fear of women. More specifically, this d...

Epic Hero Hercules Research Paper Example | Topics and Well Written Essays - 1250 words

Epic Hero Hercules - Research Paper Example In his mind, Zeus wanted to have a son with skills and strength to become a hero among men and the gods’ agent. When Hercules grew up performing odd tasks, King Thespius of Thespia recognized him and offered him his 50 daughters to have children with Hercules. Hercules was able to impregnate 49 of the 50 daughters who gave birth to 51 sons, with the eldest and the youngest giving birth to twins (Burges, 2004: 14). Hercules grew up as a hero performing extraordinary tasks. In his lifetime, he performed twelve different labors. As an order from King Eurystheus, Hercules was supposed to perform only ten labors, but since the King nullified two of them, he performed twelve. Hercules was able to murder a Nemean lion and brought back its skin. The Nemean lion had a very thick skin which could not be penetrated through. He murdered the lion by strangling it and with the help of the claws of the lion he penetrated through its thick skin and removed it. From then on, Hercules wore the skin as his armor (Stewart, 2004: 36). Another labor performed by Hercules was when he killed the Lernaean Hydra. The Lernaean Hydra was a monster serpent which had many heads and lived in the Lerna Lake. The Hydra was guarding the way to the underworld. It was so strange that for every head Hercules cut off, two more heads grew back in the cut place. Iolaus, Hercules nephew, had the idea of burning the stumps after cutting the heads so that they could not grow back, and it worked. He then buried the dead body of the Hydra beneath a boulder. He took all his arrows and immersed in the poisonous blood of the Hydra which made them poisonous. However, Eurystheus disqualified this labor of Hercules as he received help from his nephew (Loewen, 1999: 324). Hercules also managed to capture the Ceryneian Hind which was a huge deer sacred to the goddess Artemis. The deer did have hooves made of bronze and antlers of gold. The hind was known to be very fast that it could even outrun an arrow b ut Hercules followed it for a whole year on foot and managed to shoot it on the leg with a non-poisoned arrow. Since the hind was sacred to goddess Artemis, Hercules asked for forgiveness and the goddess forgave him on condition that he would bring back the hind safely (Weisbort, 2005: 26). Hercules captured a great beast that lived on Erymanthos Mountain where goddess Artemis used to visit. The beast was known as the Erymanthian Boar. Hercules was able to force the boar into thick snow with the help of centaur Chiron who advised him to do so. After the boar was in form of thick snow, Hercules captured it and took it to King Eurystheus. Hercules cleaned the Augean stables. King Augeas had the greatest number of cattle in the nation which were his divine gift and were immune to diseases. This meant that it was not necessary for anyone to clean the stables. The king challenged Hercules to perform the task in just one day and he could give him an eighth of his cattle. Being a hero, Her cules redirected rivers Peneus and Alpheus through the stables and the task was done. However, the king did not fulfill his promise to Hercules, which made Hercules angry, and he murdered the king (Weisbort, 2005: 34). Hercules killed man-eating birds known as the Stymphalian birds. The birds had metallic and poisonous feathers that could fire as weapons. The birds lived in the woody area that surrounded Lake Stymphalia and this made it hard for the birds to be

EXPERIENCES OF NURSES WORKING IN PALLIATIVE CARE Dissertation

EXPERIENCES OF NURSES WORKING IN PALLIATIVE CARE - Dissertation Example (Harris, Flowers, Noble, 2011) In a qualitative study by (Brajtman, Higuchi, McPherson, 2006) they looked into the matter related to the challenges the nurses face in palliative care, to explore their experiences in caring for patients with terminal delirium and their families. This qualitative research will emphasize the importance of qualitative interviews as most powerful method for understanding the experiences and meanings related to the topic. This study was conducted in a palliative care unit located in a large Canadian city hospital for 5 nurses working in an interdisciplinary palliative care unit and 4 nurses form palliative home care nursing team located in the same city. Few interview questions have been generated for the nurses to proceed with the qualitative study. Based on the questions results which has been found are like most of the participants said that they experience distress while caring for palliative care patients. They said that if they gather convenient skil ls and knowledge in the identification and diagnosis they can help to support the patient in better way and family during disturbed conditions. Understanding the unique nursing experience is very much important in the process of providing the nurses with required support to make them strong and help them to provide care in challenging situations. Nurses also identified their team members as most major source of support. They also mentioned that effective teamwork would help them to deal with palliative care patients and their families more efficiently. There is need for proper education and training for the nurses to face challenges with palliative care patients. Lack of education may experience in serious stress for these nurses in care of the dying people and their families. It is important to check that nurses should receive appropriate knowledge, skills and support to care for this patient (Brajtman, Higuchi, McPherson, 2006, pp.6-7). Thus from this study we can understand that proper opportunities should be provided to the nurses so that they can face challenges confidently. The support of organization, teammates and family will enhance the quality of care. The number of sample chosen here is very small. A primary research should contain minimum 20 samples to carry on with a proper research. But here amount is very small which is not very good to conduct a research. A larger sample would have been beneficial to obtain greater depth of data as there was no clear evidence to overcome the challenges. White, et al (2004) found similar trends in his study. He explored with qualitative descriptive study using semi structured interviews with nurses caring for palliative care patients. Here 9 experienced palliative care nurses were interviewed. The participants here explained about their experience and challenges they face regularly. The nurses reported that they have enormous impact on their work and personal lives. The nurses here describe about two types of su fferings, physical and emotional or psychological. Most of the nurses reported here that they try their best to relieve a patients suffering and when they cannot help the patient with such condition they get a feeling of helplessness, distress, frustration and a sense of failure. Some of the nurses also mentioned that they did not want to dwell with those things and thus tried to go back home with a fresh